Wednesday, 2 January 2019

Monday 10th December 2018



On Tuesday we began a tech and dress rehearsal. This is where the show really starts to come together. We get to see what staging works with the lights and costumes and props. As a cast we did discover that there wasn’t really an offstage in the space that we were working in. which initially we felt would be a problem because we wouldn’t have anywhere for costume changes or to have props or to wait for our next scene. We did think about how we could overcome this, and we thought about when we weren’t acting, we could be sat at the side f the stage almost watching the show, as it’s all about performing your life. But as a group we decided against it for a few reasons, one because it may be difficult for the audience to understand what our purpose of being there was especially if they don’t really know the show that well and understand the plot. Secondly, it would be really difficult for us as performers to keep switching in and out of characterisation and it would be hard for us to keep it up that whole time. It would take a large amount of professionalism in order to keep up the act for the whole show. Therefore, we decided to strategically ensure that every person who went off on which side knew which scene they were in and that they were on the correct side for their entrance into that scene. There was a small space on the right-hand side behind the black curtain for a few people and the rest of the cast members would have to be in the small space beside the audience, but they would be in the dark and hardly seen.

So, we managed to get halfway through the tech run which helped us to get a good idea of what the show would begin to look like as a whole.

On Thursday we completed the other half of the tech run which meant we got to the end of the show. Sam mentioned to me and Alex that he felt that our scene got too tense to quickly, he said that the real crescendo of the argument is when I say, “it’s me they want to see not you”. He said that it felt like we were trying to force the argument to happen. I completely agree with what he was saying because we were forcing an unnecessary argument, but the purpose of this was to really create a show like feel, as they are performing this to an audience within the show, we wanted it to really feel like it was put on for the show rather than it being realistic. we decided to take on board this feedback and just tone the first part of the argument down a little. By doing this then the argument would end up sparking from when Alex grabs my neck, which is cause for an argument I believe.

We were having a final rehearsal later on in the day which would give us time throughout the day to really think about our lines and consider what needed prioritising after the rehearsal later on.

So, we completed the final rehearsal and I found that I was still struggling with my monologue in the scene. I rally feel like this is going to be a problem during the show because no matter what I do I get so worried about forgetting it because there hasn’t been a time when I’ve remembered it. Every time I get to the monologue, I start to worry about forgetting and then just worry about it. I did mention this to Rachel and said that if I forget it, I will just say “nothing personal” which will then cue her next line just so that there’s no awkward pause.


After the final run, I went and sat down and highlighted my monologue in several different colours and read over it several times to try and really drill it into my head. I then went and stretched n order to relax myself and ensure that I was fully warmed up and prepared for the show. 


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